die letzten wochen und monate verbrachten brett hauptsächlich damit das zu machen, was sie eigentlich mit am besten können und was ihr name verspricht: laut & live 2017 auf den bühnen des landes ein brett abliefern. unterwegs waren sie in bars, hallen, pizzaläden oder auf ihrer ersten eigenen kleinen tour im frühjahr, einer jägermusic „kneipentour“, supportgigs u.a. für van holzen und vor allem auf ihrem ersten festivalsommer inkl. vainstream, mini rock, deichbrand, feel festival, open flair, c/o pop festival u.v.m. und ganz nebenbei verbrachte man die freizeit im studio, um am erstlingswerk der band zu tüfteln. am 23. februar erscheint nun mit „wutkitsch“ das erste komplette album von brett - auf 180g vinyl und inklusive download-code.

metal-queen doro verkürzt ihren fans die wartezeit auf ihr brandneues soloalbum mit der neuauflage ihres ausverkauften erfolgsalbums classic diamonds (2004). der re-release des doro klassikers erscheint als digipack und als limitierte gatefold lp in weißem vinyl auf doros neugegründetem eigenen label rare diamonds productions. doro brilliert auf classic diamonds mit erstklassigen klassischen versionen ihrer Überhits wie für immer, all we are oder love me in black. classic diamonds wurde von doro und band mitsamt orchester beim legendären wacken open air 2004 uraufgeführt.

nice price deal !!! ae - if i should be remembered i would like it to be for the verses in this book. they are my choice out of the poetry i have written.

an artist as versatile as alex krüger is a rare find these days, not only did he release numerous eps and albums as tigerskin or korsakow since the mid 90s, hes also been on the forefront of the dub techno movement since 1999 with outings on classic labels such as raum…musik, force tracks and 3b/ united states of mars. now ten years after his last album on opossum recordings alex is back with this well crafted genre bending full length caves & cages. from deep techno cuts through rippling ambient excursions to funky reggae infused live jams with haushausen this work is yet another milestone in the creative bubble alex lives in (i.e. his studio)

this publication from blind allies is comprised of 6 tracks. this is the first release from series where records are made on modular synthesizers. it includes a part from live jam by philet, journey to the world of obscure feeling from igors vorobjovs & void cells and cosmic adventure by redstripedown. dancefloor killer by tunnel, a tale from hhnoi and a flashback to soviet electronic music from marta smilga. this release will take you away to a parallel universe. vinyl only.

rather than rely on their usual full band, live performance, one-room live single recording session, the making of ‘dragonz’ was a departure for the apples. a multi-studio project spanning three continents, they assembled new instrumental tracks based on loops created in the studio and presented them to a wide-ranging selection of vocal collaborators to complete the picture with, and applied this method to the capturing of longstanding live favourites as well. the concept of a “vocal album” was implemented on non-vocalist songs as well, treating the omnipresent turntables’ sample work not as the central element to the band, but rather its frontman. though containing disparate influences, guests and production methods, ‘dragonz’ is undeniably apples, might be their most focused lp to date, and it is certainly their most middle-eastern. elements of the region’s indigenous genres have always been present in the band’s work, but never has their influence been as pronounced.

since his appearance on soccer96s jupiter masterdrive edits ep (alongside danny krivit and glenn astro flips, also on wotnot ) in 2015, and subsequent eps on wotnot, monologues and sgol, danvers has swiftly become a name to pay attention to. as a regular appearance on co-ops selectors assemble, both live and on their recent comp vol. 2, he s established himself as a new and original voice on the broken beat scene. his recent the future is broken mix series highlights his ear for unconventional dance music, something that makes him extremely at home on the wildly creative wotnot (thanks dj mag). the opening two tracks are strongly in the broken beat vein. mason opens with dreamy, rhodes jazz over a bruk beat with rolling snare fills, lulling us into a false sense of security before switching to an offbeat but irresistible squelchy synth groove. similarly, in aye ata the pulsing chord that slowly grows out of the beat suddenly turns the track around with a rhythmic twist, showing the playful broken beat in a whole new light. there s a house touch throughout the ep, none more so than in 1997, where a bouncing kick, soulful claps and a booming sub provide a steadier basis for laid back rhodes chords and dreamy spoken word samples. as a big influence on danvers music, frits wentink is welcomed onto remix duty with open arms. the wolf music regular brings an otherworldly vibe to his take on 1997 , with enchanting but almost disorienting chord swells and spiralling vocal fx punctuated with crisp snare rolls. the ever-busy danvers recently launched 38 east , a studio space and music community, with warren xlnce . warren s remix of 1997 was a surprise gift to his business partner and collaborator, and is a deeper house cut, joe armon jones (brownswood) rhodes jam over the track bringing a distinct peckham flavour. dj support from ig culture, andwot (touching bass), neue grafik & evm128 (co-op) t williams

brazilian girls return in 2018 with let’s make love, their first album since 2008. formed in 2003, the group—sabina sciubba (lead vocals, electronics), jesse murphy (bass, vocals), didi gutman (keyboards, vocals), aaron johnston (drums, percussion, vocals)—was born after the four members crossed paths at east village club nublu. “somehow we all ended up at nublu on a sunday and it all came together,” says johnston. the band began playing nublu weekly, embracing a free-form ethos that helped shape their kaleidoscopic sound. “a lot of the spirit of the band comes from being so open to improvise like that,” says murphy. fast earning attention for their euphoric live show—and winning fans like zach galifianakis, who later cast sciubba as a regular on baskets—brazilian girls released their self-titled debut in 2005 and sophomore album talk to la bomb in 2006.

ltd 1 per customer - quirke returns with three introspective tracks that take inspiration from philosophical queries and wonderment related to both the world we live in now, and that which we have inherited from those that came before us

after numerous live performances around europe and the release of his a music for sound systems full length in 2017, infrasonics label boss spatial rejoins never ready with two productions originally aired during his 2016 mutek live set and lovingly mutated into nvr003. low frequency perturbations fusing spatials sound system culture references and trademark distortion, netz rooms broken techno in the key of grime defines our labels intent to release forward bass explorations. hut 6 follows with a ten minute warp drive across the known universe in search of a unifying field theory of techno. the b-side sees j. tijns first foray on never ready with a bruk & bass out genetic resequencing of netz room, while munstac returns with a sub heavy 4/4 interpretation of the title track. never ready records third release in our establishing tetralogy continues with cover artwork from nerog, 180g coloured vinyl and a limited pressing of 300 units.

transcendent records is proud to present a new immersive cinematic techno release by a french producer who goes under the name of ersatz olfolks. some might already know him from previous releases on singular records and cheap. for a producer with only two records behind him we think he already has a bright voice within the overcrowded musical techno landscape. heliopolis is the city of the sun and was the theological center of the greatest sun temple of pharaonic times. the sunrays bring brightness but we also find ourselves in the darkest ominous shades of an eclipse. we were instantly captivated by his contra dictionary sound that is filled with subtle harmonic distortions and sophisticated melodic and evolving modular patterns. heliopolis ep is a careful selection of works recorded during live sessions. this is our definition of techno! pressing of 300 copies in special silver sleeve.

after the original comes the remix. or in this case three. i:cube, chinaski and aera help you refresh your memory and re-draw drawn from memory from benjamin fröhlichs second part of the rude movements series. its one single track, but every remixer has taken his very own approach and came up with a new interpretation. the iconic french producer and permanent vacation long time favourite, i:cube, transformed the original into a soul warming and heart melting late night bomb that lets the sun appear even in the darkest places. chinaski out of frankfurt, well known from his releases on live at robert johnson and uncanny valley, fuses italo disco with a john carpenter-style soundtrack aesthetic and an infectious bassline completed by a full on guitar solo in the break. aera, fresh from releasing his album on permanent vacation, is slowing down the tempo, rearranging the layers of the original and adding a bubbly and underwater atmosphere that let the dub stabs shine. three different versions that may represent different memories of one long night.

fresh from his recent tour full of sweaty live sets & deep record digging in the motherland, todh teri is back with the 3rd instalment of his deep in india series of edits & reworks. first up, a chunky acid rework of a huge 90s hit brimmed with relentless drum programming & shimmering peaks of ecstasy. followed up by a suspenseful tribal house reinterpretation of a 60s cabaret classic (with a breathless twist that would definitely leave the purists scratching their heads). the final one is strictly day time dance business drenched in caribbean sun rays & the evergreen vocals of 80s pakistani disco diva.all 3 tracks in this release are the essential bollywood disco curve balls that you need in your record bag to set dance floors ablaze all over the world.

soul jazz records’ latest excursion into the crescent city vaults delves deep into the roots and history of the voodoo world of new orleans funk. packed to the brim with serious break-heavy, heavyweight funk tunes from classic new orleans artists including eddie bo, betty harris, dave bartholomew, johnny adams and eldridge holmes (with the ever-present allen toussaint and the meters as always behind the scenes). there is also a host of rare cuts from a number of lesser-known second line new orleans artists, whose fame rarely reached past the walls of the city, including gus ‘the groove’ lewis, james k-nine, norma jean, bob french, chuck colbert, zilla mayes and joe haywood. comes as heavyweight 180 gram double vinyl, housed in a gatefold sleeve with download code included.

a virtuoso, known for boundary-pushing production (often fusing traditional hip-hop drum programming with sampling and live music) and thoughtful lyrics, black milk is respected across the industry for his unique sound, consistency and innovation. returning to the scene amidst a turbulent political climate, the detroit-born rapper/producer announces fever, his upcoming studio album. black milk s sixth solo rap album, and his first since 2014 s if there s a hell below, fever combines pointed and topical lyrics and brilliant musicianship, including percussion from all-star musicians chris “daddy” dave (d angelo, adele, justin bieber) and daru jones (jack white), bass by long-time collaborator malik hunter and keys and guitar from newcomers ian fink and sasha kashperko, respectively. black milk evolves his production style of fusing electronic, soul, rock and other soundscapes with electronic programming and live music, a method he began experimenting with on his 2010 release album of the year. a cohesive 12-track project, listening to fever evokes the feeling of scrolling through an endless news feed, finding black milk reporting and commenting on the world s problems with empathy, clarity, and wit. additional vocals from dwele, aaron -ab- abernathy, and sudie (a producer / vocalist signed to black milk’s computer ugly label) serve to juxtapose black’s heavy lyrical content with airy vibes. pressing on red & black coloured vinyl, comes with poster and sticker included.

jon dixon, member of underground resistances live band timeline, pays tribute to legendary detroit jazz trumpeter marcus belgrave. the ep features belgrave himself (recorded before his passing in 2015), alongside additional contributions from detroit musicians: ur/timelines mike banks & saxophonist desean jones, and jazz trumpeter, composer & educator kris johnson.

the colorful world of arp frique is the exotic and super funky debut album of niels nieuborg. after his surprising, very well received debut release on rush hour, arp frique continues collaborating with orlando julius, ed motta, americo brito, ronald snijders and more! tip! . pulsating nyc style live disco vibes, interwoven with both caribbean and cape verdean sounds, are themes throughout the record with danceability always guaranteed and a healthy finishing touch of weirdness present across most tracks. first single ‘nos magia’ was shortlisted for track of the year 2017 at gilles peterson’s worldwide awards and has been given airplay by bbc radio 6 music, bbc radio 1 and nts whilst club djs antal and hunee have all supported the track in their sets.

alongside farfa and roby j, miki the dolphin kicked italy s tuscan techno movement into high-gear during the 1990 s. earning his first residency 38 years ago, the captivating sounds purveyed by miki and his compatriots would go on to influence the entire italian peninsula for the greater part of a decade. miki can still be found fusing elements of his avant-garde past with future-leaning house and techno in his dj sets today, having assembled a cult-following thanks to his sought-after mixtapes, highly-collectable releases and research into the 432hz phenomena.

originally released between 1996 and 1997, the tracks on this phonographic disk have been remastered and re edited with contemporary standards in mind for your listening pleasure and playability.
lead track, apple, incorporates live instrumentation with tough, northern italian rhythms. caterpillar glimmers and undulates across its pristine psychedelic and progressive landscape, sacre graal is a fine slice of timeless, electronic body music. one for those who know.

irazu returns to stale after his acclaimed “shtamm” with regis in 2017. this time pessimist take charge on the remix duties, filling a dense and energetic long play vinyl where irazu shows his strongest work to date.

kingswood drive and accidental return were an early teaser of this new set. displaying their signature analogue sounds and arpeggios, alongside broken beats and soul, you wouldn t be alone in hearing the influences of dam funk, herbie hancock or bugz in the attic coming through on these two. elsewhere more jittery, playful rhythms underpin croydon rooftop café culture. as well as in the calming and ethereal prints on the heath, a subtle tribute to mutual hero prince, who passed away on the unusually prolific day this and two other, currently unreleased, tracks were written and recorded. throughout the ep the duo nod at their london home from the -heath- to kingswood drive and more obviously croydon itself. the sound of south london is threaded throughout this record with pride. even down to the mechanical sunset sound of ep finale thorns, capturing some of the essence of the studio view over london from their high point on the hill in thornton heath. the first ep from albert s favourites co-founders and synth-production duo modified man focused on throwing out heavy editing, recording music with as few processes as possible and grabbing performances as single takes. blending warped cassette recordings that touched upon early jazz-funk/brit-funk influences with the energy of broken beat and experimental electronica, won them support from patrick forge, osunlade, thris tian, yam who? and titeknots to name a few. since that release they premiered new track thorns live on boiler room, going on to deliver a full, three-hour live performance and dj set for the infamous global community. they also provided remixes for dele sosimi, amp fiddler, makadem & behr and hector plimmer, meanwhile, busily preparing a series of four, six-track vinyl eps which will be released over the next 18 months.

pulsewidthmod,creates tracks that are very epic and driving in nature all of which are recorded as live techno jams using elektrons dark trinity and an ms20 mini. her influences from techno to industrial, ebm, and belgium new beat leaves the listener with some menacing drums and a juxtaposition of both pleasing and disorienting melodies. serpentine servitude explores the idea that perhaps the serpent in the garden of eden was really being humanities servant. who was this creator character to dictate which fruit was ok for us to eat? who was he or they to say that if we ate the fruit we would be tainted and forever separate from divine love? all this did was create the idea in our consciousness that we were tainted. it is of my personal belief that the idea that we are sinful is the original sin. this god character who created beings in his own image and then dictated how they were to live their life kind of sounds like an over controlling father. where is mother in all this? the album started with the track original sin which was originally titled acid. seems somewhat appropriate since the concept of original sin seems to be a violation on humanities consciousness

we welcome the vinyl format after a hiatus to embark into an energy-driven journey, full of potent, cross-genre tracks courtesy of mr. ben cano. ben, which previously collaborated on this label as tenientetuko, builds on the previous album-creating experience and he outdoes himself in multiple ways, keeping the variety of groove encompassing all together with his propelling signature techno ethos. deep snowmass starts the ep in a harsh, mental way to induce rapidly to a dark feeling which leaves you in the void with a malleable conscience that allows your body and soul to float, with the help of an ever-building acidic bass and pulsating percussion. rocky mountain goes to other heights, using a uplifting rhodes chord and effective drum programming to deliver a dreamy wave of full potential. between dub, hitch and tube 8 seal the deal with energetic, acid-infused and sometimes-housey takes from his recent live set, which he manages to reorganize in the track format we currently offer as black pressed acetate.

pura vida has been releasing some heavyweight roots albums with reggae legends lee -scratch- perry, the congos, congo ashanti roy... during these years pura vida’s composer and producer bregt -puraman- de boever has made a lot of dubversions, only a few have been released. this album has the vintage lost ark sound and presents 9 new songs + a dubversion from treat me right. it was created using a combination of old analog gear and modern day recording methods. all the dubs are live mixes using the mixer as an instrument. the magic of the moment is in every mix... lost ark studio vibrationz...

rhythm section intl continues its quest to unearth the rawest new talent with this stellar debut from glaswegian duo ‘string theory’. opening up with the majestic ‘dirty high’ we’re treated to a symphony of modular synthesis, swelling strings and the bounciest drums we’ve heard in a long time. rarely has house music been so fun yet so musical. live bass-tip toes over an ocean of synth stabs and piano chords to create an anthemnic track that’s sure to be the soundtrack to long summer nights and early mornings…. we don’t know where the rs crew keep finding these gems, but long may it continue. string theory tick so many boxes we just can’t wait to hear more...

tinfoil is the project of defekt and sunil sharpe. initially forged as a studio collaboration in 2014 (and later as a live show), the pair have since racked up an impressive catalogue of 12&#8243,,,s on their own self-titled label. tinfoil’s sound is unique in today’s scene, reflecting the versatility of both artists, plus a combined know-how of techno and electro. their music comes primarily from live studio jams, enforced by a desire to get quickly to the point in what they do. this is no surprise given the fast, technical way in which they each perform solo. for their debut album, tinfoil provide a varied but cohesive collection of tracks. following the intro’s epic synth blasts, they open with a bang through “caravan life” – a sinister, bassline-driven destroyer that builds and builds over a blend of claps, filter zaps and crying feedback. “beads” continues in a heads-down vein, this time with a more musical ebm type bass and knocking rimshots that mark the first appearance of sunil’s role-playing, haunting lead vocals

the complete output of a great but under-recorded soul singer. pressed on 180g white vinyl, with in-depth notes and rare photos on inner bag.

recorded live at fillmore east in new york on new year’s eve 69/70. mastered from the original 2-track master tapes by jimi’s original engineer. complete original artwork, 8 page lp-sized booklet with rare photos and liner notes.

remastered reissue of u2’s 1985 ep, a special collection of live recordings and outtakes from the “unforgettable fire” tour and album 1984-85. pressing on 180 gram vinyl

features a download card with the studio & live album mp3

berlins own steffen linck, a multi-instrumentalist known as monolink, announces his debut album amniotic, due april 20th via embassy of music subsidy embassy one. it is the experiential nature of monolink’s music that defies the muddy definition of modern live electronic music. armed with a singular blend of berlin underground culture with the pop-leaning sensibility of american electronica, steffen transports listeners into his own realm of sonic exploration. the music is pillared by emotive guitar tones, analog synth stabs and, for the first time, his own vocals acting as a singular point of departure for this budding talent. amniotic stands as monolinks first complete body of work, following his 2017 ep burning sun via sol selectas, and the end, a collaborative record with acid pauli in 2015.

june records presents a new compilation with live electronics, featuring music from svengalisghost, manie sans de&#769,lire, newcomer bruce roach, trenton chase, rr hearse + furnace miskin and zodiac free arts club who will release his second lp soon on hvnx.

contort yourself continues to explore the crossover between decrepit 80s industrial and the modern artists drawing inspiration from those heady, experimental times, and the results are as thrilling as ever. haydees no gouvernance is a brutal charge of drums and distorted yelps, while 1983 jam de omnibus dubitandum by hunting lodge fuses layers of distortion and proto acid with live bass and brittle drums. catriel lays out a sinister but seductive message on nbdymksmefeellowlikeudo, giant swan bring their raucous avant-techno styles to dare and then gotshell remix hunting lodge into a thunderous industrial techno charge.

following his work with swedish label comorbid records, stockholm native bård ericson aka boerd has signed with anjunadeep to release his latest mini-album, ‘static’. an accomplished musician, bård’s boerd project aims to reflect his own personal emotions and atmosphere. with a deft and delicate approach to composition, his music draws you in whilst shutting out the outside world. cutting his teeth from age 15 in the world of chiptune (composing via the means of 16-bit videogame consoles), bård quickly developed a taste for creating abstract music. and after a handful of eps and live shows across europe, he transitioned focus towards music that he felt better expressed his own place in the world. enter ‘boerd’. with influences ranging from burial, bibio and even aphex twin, the 26-year-old has developed a style that pushes the boundaries of atmospheric electronica with stunning attention to detail. building his sound from samples he records himself, ericson conjures a euphoric mix of subtle soundscapes that simultaneously breathe and play in awe.

soul of hexs vicario musique is making a comeback in 2018, with cedillos most personal ep to date. the main track tetro is a futurist, simple but effective track dragging influences of the highest order on chicago, berlin and detroit. shadow aspect moves into a darker perspective combining analog and modular synthesis and clever drum breaks. on the bright side of the ep, sun compass a collaboration with his brother anttares is reminiscent of a paradise/balearic inspired track showing cedillo brothers versatile style. to finish the ep, the melancholic there are no words is a dedication to the memory of cedillos grandfather. tetro has been already being championed live on soul of hexs live boiler room session, and at tim sweeneys beats in space mix by zombies in miami.

this limited edition record store day release offers a much desired vinyl issue of a special collaboration between betty wright & the roots. only on cd since it’s initial release in 2011, “betty wright: the movie” is considered among betty’s best albums after having not had a new release in nearly ten years. there is so much good music here expansion have spread over a double lp at a time demand for such quality releases on vinyl is at a highpoint. the lead single was “grapes on the vine” featuring lil wayne, other guests on the album including snoop dogg and joss stone. betty has co-written most of the songs, her voice still at its finest after a 50 year career while triple grammy award winners the roots add a magic touch to this incredible project. there will only be 1000 pressings of the album.

claque musique kicks off another piece of beauty. “america”, joe montana’s iconic house jam from 1996, is back out now, after more then a decade, remastered and remixed from chicago house pioneers virgo four and the museri.

you seek shelter in the dreams that would break your life if they were real. and because you cannot live your dreams, you dream of me, make me your phantasy. at some point, you will seek shelter back in reality because you cannot stand your dreams. and what you dreamt of last night will be todays bitter reality. i am real and i can stand it.

peaks line up from nothing,
and their stones sink in blue sea.
they sink to become nothing
and be reborn above the clouds.

nice price deal !!! let s continue with the third ep set s release, introducing another true and eclectic talent born and raised in bologna: francesco zaniboni aka dj rou. three master tracks, a2 side featuring jackie, with an deep house groovy and funky keyboard pinch rhytm characteristic of his sound. as always dj rou loves the sampling and free creativity. on the b side, moreover, you can find a remixing masterpiece by the florentine duo minimono, recorded and fully composed in live session.

black acre favourites return with a new ep featuring a special remix from the one and only daniele baldelli! the original pioneer of the cosmic scene delivers a tripping dance floor remix alongside the a live 12 min version on this special limited twelve inch. taken from the second clap! clap! album, ode to the pleiades is delivered here in a way you’ve never heard before. think khidja or that amazing insanlar record on honest jon’s from a while back. rolling, tribal percussion, turkish saz, thumping modern kick drums and loads of whistle blowing. simply screams party time to us.

limited edition clear vinyl lp in gatefold sleeve with download code included.

magnetik north is live drum electronics. drum performances are fed through processors, samplers and sequencers to produce layers of rhythmic patterns that interact with each other. other instruments are melted into different textures so that only the harmonic content remains. this is a new project from ian tregoning, engineer and producer for artists as diverse as yello and fela kuti. now working with jaki liebezeit, the legendary drummer from can, to add his endless evolving rhythms. jaki s in a world of his own as he balances technical brilliance with subtle restraint. recording started in the summer 2006 in an old jazz studio in the south of ko&#776,,,,ln. jaki arrived with a minimal drum kit including customised cymbals, a snare and a huge gretsch floor-tom from the can days. all of jaki s performances are complete takes with no drop-ins, loops or edits. the backing tracks for evolver were recorded without using key changes. each song features one key which is held continuously while other instruments and effects are blended with the key. drums (also tuned to the same key) were added last which is another unusual technique. as jaki says they re often overlooked as tuned instruments in their own right . the finished results are a minimal blend of industrial and classical. like listening to a raga in an earthquake.

after kicking off the year with releases by wheelman and general ludd, were very pleased to announce that naum gabo completes our recent trilogy of releases from glasgow based artists. alongside ivan smagghe, its no secret that optimo have been a huge influence around these parts and having released ivans smagghe & cross project on belters last year, its a huge honour to work with naum gabo - the production partnership of jonnie wilkes (jg wikes of optimo) and james savage (mastering engineer for optimo music). fittingly enough, naum gabo played live at the first ever optimo related parties we attended at the sub club back in 2005 and jonnies influential and supportive presence has been felt over the years as we started to become more involved in the glasgow scene and as the label developed. so it didnt require much thought to do this release before we had even heard these new naum gabo tracks they are absolute slammers of the highest order! really big release, bringing to our minds the likes of errorsmith. belters is a new club-focussed label brought to you by huntleys + palmers.

standard doppelvinyl im gatefold sleeve inklusive mp3 downloadkarte.
der wahl-new-yorker chrome sparks veröffentlicht vielseitiges debütalbum auf counter records! chrome sparks (aka jeremy malvin) weiß, wie er seine tracks im besten licht stehen lässt. sein selbstbetiteltes debütalbum, das via counter records (ein ninja tune-sublabel) erscheint, sticht heraus mit einem funkelnden sound: eine euphonie aus hiphop, house und hell leuchtender arbeit am synthesizer. die platte ist das endergebnis jahrelanger arbeit in malvin’s marinewerft (seinem studio in brooklyn) und einer abgelegen hütte nördlich von new york. allein dort hat er einen ganzen monat allein zugebracht, um den ablenkungen der stadt zu entkommen und um diesen prozess zu destillieren, was anschließend zu einer periode intensiver kreativität wurde. auf dem album selbst finden sich zusammenarbeiten mit dem australischen duo kllo (ghostly) und body languages’ angelica bess (die auch bereits mit machinedrum kollaborierte). das album ist sowohl ergebnis eines obsessiven produktionsansatzes als auch über die rastlose jagd nach neuen ideen. sein kreative mentalität wurde sowohl durch live-auftritte als auch studiogegniedel geprägt. sie ist das grundgerüst, das es ihm erlaubte, so viele diffuse ideen wirklichkeit werden zu lassen, die schlussendlich in einem hervorstechenden und vielfältigen debütalbum resultieren.

after me planet e are proud to present momentum, a two-track collaboration between carl craig and argentinian live electronic collective klauss. the ep is a result of an unplanned production session at the bands buenos aires studio in february of last year. each running at over ten minutes long and brimming with tension, both tracks use analogue grooves to form a grounding for meditative loops and mind-bending sonic processes to wander.

tresor records is proud to announce a new commission, bringing together two of its most time-honored contributors. berlin’s thomas fehlmann and detroit’s terrence dixon came together in detroit to produce this expressive album. an avant-premiere live performance of this album was presented at tresor’s annual detroit showcase in may 2017. composed of six titles and exploring a wide range of rhythms and emotions, “we take it from here” is a celebration of resilience, patience, creativity and devotion.

matt flanagan has been making music as defekt, ess and tinfoil for the past few years, so who better to put out the debut release on first cut? we decided early on that there was no point in repeating his admittedly fine back catalogue, so matt went off one evening and did a 30-minute live jam on his machines. there was no real plan, but between us, we picked the three best bits, which you now own. then we had to come up with a name. initially, we toyed with the idea of calling it ‘fekt’ but then decided that only a local audience would appreciate the joke and that it wouldn’t travel well. octal step then emerged as the clear favourite. we sealed the deal to release ‘toner head’ over a cup of takeaway coffee on a bench in the stephen’s green cente in dublin. and why is gunter walraff on the other side of this sheet? well, he seems like a cool guy. plus he’s german and has a moustache - what’s there not to like about that?

confidence man, das pop-quartett aus brisbane, australien schickt sich weiter an, in diesem jahr der heißeste export aus down under zu werden. nicht umsonst bennent triple j die band schon als the best up-and-coming live band in australia. seit fast einem jahr bringt die australische band fantastische videos raus, lässt sich remixen oder remixt selbst. einen namen haben sie sich aber vorallem mit ihren live-shows gemacht! nun ist es endlich soweit, die elf songs des debütalbum confident music for confident people erscheinen auf heavenly recordings.

we are not where we live, but the valley we built enjoyment through suffering. beauty in chaos. african ghost valley apply these principles to create their heavy doomsday electronics pulled in from the black bunker a d.i.y space under a multi-story car-park. separated from any scene on the surface, the record was put together by european / canadian duo childle grangier and gabriel ghebrezghi a partnership formed in the heat of heavily improvised recording sessions, where the pair would thrash out their versions of power electronics, industrial waste drops and rhythmic dub rumble to the cities homeless. keeping these raw fnal cuts away from any studio trickery, the microphone would be left on to archive feld recordings and wayward audio drops, capturing the hum and lifeblood of the bunker and the wheezing lungs of the dense concrete that surrounded them. titling this work colony, the album is a open-ended and multi-edged tool for agv to explore, allowing the listener to interpret the work as they see ft, bringing to mind images of corroded space settlements and the darkest recess of human history. you decide.